MUSEUM OF THE ORIGINS OF MAN
Genova (Italy)
Pietro Gaietto, founder and curator
TABLE OF CONTENTS
- News and updates of the Museum.
- A tribute to Jacques Boucher de Perthes
- Introduction
- Of skulls and men: interpreting the anthropomorphic sculpture of the lower and middle Paleolithic (from Fig. 3.1).
PALEOLITHIC THREE-DIMENSIONAL ART
- The human head in Paleolithic sculpture (from Fig. 4.1).
- The human head in monolithic sculpture (menhirs) of the Paleolithc (from Fig. 12,1).
- The human head in the Paleolithic rock sculpture (from Fig. 4.32).
- The animal head in the Paleolithic sculpture (from Fig. 7.1).
- The animal head in the monolithic sculpture (menhir) of the Paleolithic (from Fig. 7.9).
- The bicephalic human head in the Paleolithic sculpture (from Fig. 2).
- The bicephalic human head in monolithic sculptures (menhirs) of the Paleolithic (from Fig. 5.29).
- Bicephalic Paleolithic sculptures of human heads joined at the neck to animal heads (from Fig. 9.1).
- Human heads with animal heads in Paleolithic sculpture (from Fig. 6.1).
- Animal heads with human bodies in Paleolithic sculpture (from Fig. 10.1).
- Animal heads with human bodies in monolithic sculptures (menhirs)from the Paleolithic (from Fig. 18.1).
- Bicephalic animal heads in Paleolithic sculpture (from Fig. 11.1).
- The naked woman (Venus) in Paleolithic sculpture (from Fig. 8.1).
- A naked woman (Venus) with bicephalic head in Paleolithic sculpture (from Fig. 8.7)
- A naked woman (Venus) joined at the neck and feet to a man-animal hybrid in Paleolithic sculpture (from Fig. 6.5)
- Human phalluses in Paleolithic sculpture (Fig. 22.2).
- The origin of Paleolithic funerary architecture (Fig. 25.1).
- Paleolithic places of worship in cave with sculpture (from Fig. 30.1).
- The origin of the temple with lithic altar and bicephalic god in the Paleolithic (from Fig. 35.1).
POST-PALEOLITHIC THREE-DIMENSIONAL ART
- Human heads with and without bodies in post-Paleolithic sculpture (from Fig. 4A1).
- Colossal sculptures of human figures in the post-Paleolithic (from Fig. 12A1).
- Animal in post-Paleolithic sculpture (from Fig.7A1).
- The bicephalic human head in post-Paleolithic sculpture (from Fig. 5A1).
- The bicephalic animal head in post-Paleolithic sculpture (from Fig. 11A1).
- Human heads joined at the neck with animal heads in post-Paleolithic sculpture (from Fig. 9A1).
- Human heads mixed with animal heads in post-Paleolithic sculpture (from Fig. 6A1).
- The woman in the post-Paleolithic sculpture (from Fig. 8A1).
- Women with various types of two-faced heads in post-Paleolithic sculpture (from Fig. 8A26).
- Animal head with human body in post-Paleolithic sculpture (from Fig.10A1).
- Animal head with human body in colossal post-Paleolithic sculpture (Fig. 18A1).
- The human head with body mixed of various animals in post-Paleolithic sculpture (from Fig.10A5)
- Human phalluses of great dimensions in post-Paleolithic sculpture (from Fig. 22A1).
- The post-Paleolithic sculpture of abstract and geometric obelisks (from Fig. 20A1).
- Horizontal zoomorphic colossal sculptures in the post-Paleolithic (from Fig. 24A1)
- Humanized animals in the post-Paleolithic sculpture (from Fig. F8).
- Geometric ritual shapes in the post-Paleolithic sculpture (Fig. F10).
- Anthropomorphic and zoomorphic sculpture applied to post-Paleolithic household equipment (Fig. F11) .
- Anthropomorphic and zoomorphic foods in post-Paleolithic sculpture (from Fig. F13).
- Plants in post-Paleolithic sculpture (from Fig. F16)
- Decorative pruning of plants in post-Paleolithic sculpture (Fig. F19)
- Imitation of objects in post-Paleolithic sculpture (from Fig. F20)
- Sculpture in post-Paleolithic temples (from Fig. 35.1).
- Sculpture in Post-Paleolithic processions (from Fig. 26A1).
- Post-Paleolithic places of worship with sculpture in the lowlands (Fig. 29A1).
- Post-Paleolithic funerary architecture (from Fig. 25A1).
PALEOLITHIC TWO-DIMENSIONAL ART
- Short note about two-dimensional Paleolithic art
- Geometric engravings on bone of lower Paleolithic (from Fig. F24).
Geometric engravings on bone in the middle Paleolithic (Fig. F26).
- Geometric engravings on bone in the upper Paleolithic (Fig. F27).
- Geometric paintings on bone in the upper Paleolithic (Fig.F28).
- Upper Paleolithic zoomorphic engravings on bone and ivory (from Fig. F29).
- Zoomorphic engravings on upper Paleolithic pebbles (from Fig. F31).
- Upper Paleolithic zoomorphic engravings in cave (from Fig. 31.6).
- Upper Paleolithic zoomorphic cave paintings (from Fig. 31.2).
- Upper Paleolithic fantastic animals in cave paintings (Fig. F36).
- Upper Paleolithic cave paintings of men mixed with animals (Fig. F37).
- Upper Paleolithic engravings of plant on bone (from Fig. F38).
- Upper Paleolithic geometric female engravings on bone (Fig. F40).
- Places of worship in cave with paintings in the upper Paleolithic (Fig. 31.1).
- The movement in the upper Paleolithic two-dimensional art (Fig. F41).
POST-PALEOLITHIC TWO-DIMENSIONAL ART
- Short note about the two-dimensional post-Paleolithic art .
- The movement in post-Paleolithic two-dimensional art (from Fig. 32A3)
- Post-Paleolithic anthropomorphic engravings in cave (Fig. F47)
- Post-Paleolithic places of worship under-rock with paintings (from Fig. 32A1)
- Anthropomorphic and zoomorphic paintings on rocky wall in the post-Paleolithic (from Fig. F48).
- Rock places of cult with graffiti in the post-Paleolithic (Fig. 33A1)
- Post-Paleolithic zoomorphic engravings on rock wall (from Fig. 33A4)
- Zoomorphic and anthropomorphic engravings on rock wall in the post-Paleolithic (from Fig. 33A2).
- Post-Paleolithic zoomorphic engravings and paintings on rock wall and tree bark depicting viscera (from Fig. F49).
- Zoomorphic and anthropomorphic paintings on plastered walls in the post-Paleolithic (from Fig. F51).
- Post-Paleolithic zoomorphic and geometric paintings on ceramic vessels (Fig. F53).
- T'ao t'ieh drawing in post-Paleolithic bronze vessels (Fig.F54)
- Origin and evolution of writing
- Engraving, painting, sculpture from the pre-writing to the writing in the post-Paleolithic (from Fig.33A5)
- Weaving of geometric figures on fabric for clothing in the post-Paleolithic (Fig. F58)
- Post-Paleolithic zoomorphic, anthropomorphic and geometric tattoos to embellish the human body (from Fig. F59)
- The mosaic with human figures in the post-Paleolithic (Fig. F61)
- Floral representations on tiles in the post-Paleolithic (Fig. F62)
- Geometric mosaics and tiles in the post-Paleolithic (from Fig. F63)
- Post-Paleolithic geometric painting (Fig. F65)
- The drawing of humanized animals preceding comics (from Fig. F66)
- Bibliography
Warning: Many images of the paleolithic sculptures can be enlarged by clicking on it.
Genoa, 2020, December (last updating)
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