MUSEUM OF THE ORIGINS OF MAN
Genova (Italy)
Pietro Gaietto, founder and curator
TABLE OF CONTENTS
- News and updates of the Museum.
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A tribute to Jacques Boucher de Perthes
- Introduction
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Of skulls and men: interpreting the anthropomorphic sculpture of the lower and middle Paleolithic (from Fig. 3.1).
PALEOLITHIC THREE-DIMENSIONAL ART
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The human head in Paleolithic sculpture (from Fig. 4.1).
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The human head in monolithic sculpture (menhirs) of the Paleolithc (from Fig. 12,1).
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The human head in the Paleolithic rock sculpture (from Fig. 4.32).
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The animal head in the Paleolithic sculpture (from Fig. 7.1).
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The animal head in the monolithic sculpture (menhir) of the Paleolithic (from Fig. 7.9).
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The bicephalic human head in the Paleolithic sculpture (from Fig. 2).
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The bicephalic human head in monolithic sculptures (menhirs) of the Paleolithic (from Fig. 5.29).
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Bicephalic Paleolithic sculptures of human heads joined at the neck to animal heads (from Fig. 9.1).
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Human heads with animal heads in Paleolithic sculpture (from Fig. 6.1).
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Animal heads with human bodies in Paleolithic sculpture (from Fig. 10.1).
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Animal heads with human bodies in monolithic sculptures (menhirs)from the Paleolithic (from Fig. 18.1).
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Bicephalic animal heads in Paleolithic sculpture (from Fig. 11.1).
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The naked woman (Venus) in Paleolithic sculpture (from Fig. 8.1).
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A naked woman (Venus) with bicephalic head in Paleolithic sculpture (from Fig. 8.7)
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A naked woman (Venus) joined at the neck and feet to a man-animal hybrid in Paleolithic sculpture (from Fig. 6.5)
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Human phalluses in Paleolithic sculpture (Fig. 22.2).
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The origin of Paleolithic funerary architecture (Fig. 25.1).
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Paleolithic places of worship in cave with sculpture (from Fig. 30.1).
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The origin of the temple with lithic altar and bicephalic god in the Paleolithic (from Fig. 35.1).
POST-PALEOLITHIC THREE-DIMENSIONAL ART
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Human heads with and without bodies in post-Paleolithic sculpture (from Fig. 4A1).
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Colossal sculptures of human figures in the post-Paleolithic (from Fig. 12A1).
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Animal in post-Paleolithic sculpture (from Fig.7A1).
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The bicephalic human head in post-Paleolithic sculpture (from Fig. 5A1).
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The bicephalic animal head in post-Paleolithic sculpture (from Fig. 11A1).
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Human heads joined at the neck with animal heads in post-Paleolithic sculpture (from Fig. 9A1).
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Human heads mixed with animal heads in post-Paleolithic sculpture (from Fig. 6A1).
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The woman in the post-Paleolithic sculpture (from Fig. 8A1).
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Women with various types of two-faced heads in post-Paleolithic sculpture (from Fig. 8A26).
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Animal head with human body in post-Paleolithic sculpture (from Fig.10A1).
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Animal head with human body in colossal post-Paleolithic sculpture (Fig. 18A1).
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The human head with body mixed of various animals in post-Paleolithic sculpture (from Fig.10A5)
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Human phalluses of great dimensions in post-Paleolithic sculpture (from Fig. 22A1).
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The post-Paleolithic sculpture of abstract and geometric obelisks (from Fig. 20A1).
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Horizontal zoomorphic colossal sculptures in the post-Paleolithic (from Fig. 24A1)
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Humanized animals in the post-Paleolithic sculpture (from Fig. F8).
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Geometric ritual shapes in the post-Paleolithic sculpture (Fig. F10).
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Anthropomorphic and zoomorphic sculpture applied to post-Paleolithic household equipment (Fig. F11) .
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Anthropomorphic and zoomorphic foods in post-Paleolithic sculpture (from Fig. F13).
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Plants in post-Paleolithic sculpture (from Fig. F16)
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Decorative pruning of plants in post-Paleolithic sculpture (Fig. F19)
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Imitation of objects in post-Paleolithic sculpture (from Fig. F20)
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Sculpture in post-Paleolithic temples (from Fig. 35.1).
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Sculpture in Post-Paleolithic processions (from Fig. 26A1).
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Post-Paleolithic places of worship with sculpture in the lowlands (Fig. 29A1).
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Post-Paleolithic funerary architecture (from Fig. 25A1).
PALEOLITHIC TWO-DIMENSIONAL ART
- Short note about two-dimensional Paleolithic art
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Geometric engravings on bone of lower Paleolithic (from Fig. F24).
Geometric engravings on bone in the middle Paleolithic (Fig. F26).
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Geometric engravings on bone in the upper Paleolithic (Fig. F27).
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Geometric paintings on bone in the upper Paleolithic (Fig.F28).
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Upper Paleolithic zoomorphic engravings on bone and ivory (from Fig. F29).
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Zoomorphic engravings on upper Paleolithic pebbles (from Fig. F31).
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Upper Paleolithic zoomorphic engravings in cave (from Fig. 31.6).
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Upper Paleolithic zoomorphic cave paintings (from Fig. 31.2).
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Upper Paleolithic fantastic animals in cave paintings (Fig. F36).
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Upper Paleolithic cave paintings of men mixed with animals (Fig. F37).
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Upper Paleolithic engravings of plant on bone (from Fig. F38).
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Upper Paleolithic geometric female engravings on bone (Fig. F40).
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Places of worship in cave with paintings in the upper Paleolithic (Fig. 31.1).
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The movement in the upper Paleolithic two-dimensional art (Fig. F41).
POST-PALEOLITHIC TWO-DIMENSIONAL ART
- Short note about the two-dimensional post-Paleolithic art .
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The movement in post-Paleolithic two-dimensional art (from Fig. 32A3)
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Post-Paleolithic anthropomorphic engravings in cave (Fig. F47)
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Post-Paleolithic places of worship under-rock with paintings (from Fig. 32A1)
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Anthropomorphic and zoomorphic paintings on rocky wall in the post-Paleolithic (from Fig. F48).
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Rock places of cult with graffiti in the post-Paleolithic (Fig. 33A1)
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Post-Paleolithic zoomorphic engravings on rock wall (from Fig. 33A4)
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Zoomorphic and anthropomorphic engravings on rock wall in the post-Paleolithic (from Fig. 33A2).
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Post-Paleolithic zoomorphic engravings and paintings on rock wall and tree bark depicting viscera (from Fig. F49).
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Zoomorphic and anthropomorphic paintings on plastered walls in the post-Paleolithic (from Fig. F51).
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Post-Paleolithic zoomorphic and geometric paintings on ceramic vessels (Fig. F53).
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T'ao t'ieh drawing in post-Paleolithic bronze vessels (Fig.F54)
- Origin and evolution of writing
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Engraving, painting, sculpture from the pre-writing to the writing in the post-Paleolithic (from Fig.33A5)
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Weaving of geometric figures on fabric for clothing in the post-Paleolithic (Fig. F58)
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Post-Paleolithic zoomorphic, anthropomorphic and geometric tattoos to embellish the human body (from Fig. F59)
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The mosaic with human figures in the post-Paleolithic (Fig. F61)
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Floral representations on tiles in the post-Paleolithic (Fig. F62)
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Geometric mosaics and tiles in the post-Paleolithic (from Fig. F63)
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Post-Paleolithic geometric painting (Fig. F65)
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The drawing of humanized animals preceding comics (from Fig. F66)
- Bibliography
Warning: Many images of the paleolithic sculptures can be enlarged by clicking on it.
Genoa, 2020, December (last updating)
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