bibliography of the Museum of the Origins of Man

Museum of the Origins of Man

BIBLIOGRAPHY

BEDNARIK, R.G. The "Australopithecine" cobble from Makapansgat South African Archeological Bulletin 53:4-8, 1998

BERNARDINI, E.,(1977), La Preistoria in Liguria, Sagep, Genova

BODER, D.N.,(see Jelinek)

BOUCHER DE PERTHES, J. , Antiquités céltiques et antédiluviennes, 1846

BREUIL, H.,(1952), Quatre cents siècles d'art parietal, Montignac

BROGLIO, A., Introduzione al Paleolitico, Laterza, Roma-Bari, 1998

COHEN, C., HUBLIN, F.F. , Boucher de Perthes Les origines romantiques de la préhistoire, Belin, Paris, 1989

DART, R. A., Il ciottolo dalle molte facce di Makapansgat, Il giornale sudafricano della scienza, pp167-169 (1974)

DHARVENT, J., La première étage de l'art préhistorique, XIV Congrès international Archéologie préhistorique et Anthropologie, Genf, 1913, pp 515 - 534

DELPORTE, H.,L'Image de la femme dans l'art préhistorique, Picard, Paris, 1979

DHARVENT, M. Prèmiers essais de sculpture de l'homme préhistorique, 1910

ERCOLE, R.,(1983), Le premier langage de l'homme révélé par la Corse, Ajaccio

FILINGERI, L., Psychodynamic considerations at margin of presculpture and prehistorical sculpture interpretations. Primeval sculpture, January April, 1984, E.R.G.A., Genova

FILINGERI, L., L'importanza della linea di contorno nell'arte rappresentativa del Paleolitico inferiore e medio, Primeval sculpture, January-April, 1984, E.R.G.A., Genova

FILINGERI, L., Walter Matthes, Roma 1966, Primeval Sculpture, January-April, 1984, E.R.G.A., Genova

FILINGERI, L., Aspects psycodinamiques dans l'évolution de la figure sculptée au Paléolitique inferieur, par rapport aux pratiques funéraires. Primeval sculpture, May-August, 1984, E.R.G.A., Genova

FILINGERI, L., The prehistorical sculptor - painter. Primeval sculpture, May-August, 1984, E.R.G.A., Genova

FILINGERI, L., Sculptures a deux faces et projection de l'ambivalence. Primeval sculpture, September-december, 1984, E.R.G.A., Genova

FIORE I., TAGLIACOZZO A. (2001), 2. Osso inciso con figura di lepre. In M.A. Fugazzola, E. Mangani, A. Pessina, A. Salerno, A. Tagliacozzo, V. Tiné (a cura di) "Donne, Uomini e Animali. Oggetti d'arte e di culto nella Preistoria", Catalogo della Mostra, Roma-Firenze, pp. 13-14.

GAIETTO, P., Publications and cultural presentations. See in Shapes in Evolution Series, at www.Lulu.com

GAIETTO, P., Art was born at the beginning of the Quaternary, (Sabatelli, Savona, 1968)

GAIETTO, P., Virgin art, a treatise on middle and lower Paleolithic art (C.S.I.O.A., Genova, 1974)

GAIETTO, P., A fable of wandering man during the Stone Age in Liguria (G. & G. Del Cielo, Genoa, 1976)

GAIETTO, P., A hanging zoomorphic Mousterian sculpture (Congrès International de Paléontologie humaine, Nice, 1982)

GAIETTO, P., Prescultura e scultura preistorica - Pre-sculpture and sculpture in prehistory (E.R.G.A., Genova, 1982)

GAIETTO, P., An anthropomorphic two-faced sculpture from Surrey, U.K.(Primeval Sculpture I, Primigenia, 1984)

GAIETTO, P., An artless Musterian site in Lebanon (ibid.)

GAIETTO, P., The anthropomorphous bicephalic deity in the sculpture of the Lower and Middle Paleolithic (Primeval Sculpture II, Primigenia, 1984)

GAIETTO, P., To be or not to be: that is the question (Primeval Sculpture III, Primigenia, 1984)

GAIETTO, P., Founder and director of the Museum of the Origins of Man (www.museoorigini.it, 2000)

GAIETTO, P., The megalithic face of Borzone, Italy (Paleolithic Art Magazine, www.paleolithicartmagazine.org, 2000)

GAIETTO, P., Clothing in Ligurian, Austrian, and Mexican "Venuses", (Ibid.)

GAIETTO, P., Intuition in the work of Boucher de Perthes (Ibid.)

GAIETTO, P., The scream of Homo Erectus (Ibid.)

GAIETTO, P., Ancient zoo-anthropomorphic ceramics from Mexico as compared to double-headed paleolithic "Venuses" from Balzi Rossi, Italy (Ibid.)

GAIETTO, P., Bicephaly with bird-and-man representations (Paleolithic Art Magazine, 2001)

GAIETTO, P., A zoo-anthropomorphic dual-faced stone sculpture from evolved Acheulean at Rome Torre in Pietra interpreted through sculptural typology (Ibid.)

GAIETTO, P.,The origin of decorative art is in the Acheulean (Ibid.)

GAIETTO, P., Stone tools and wooden tools for fabricating utensils and lithic sculptures in the Acheulean (Ibid.)

GAIETTO, P., Art and Palethnology (Ibid.)

GAIETTO, P., A lithic anthropomorphic two-headed sculpture from the lower Paleolithic in Denmark (Ibid.)

GAIETTO, P., Artistic ritual food in Italy: Homo Erectus to Homo Sapiens Sapiens (Ibid.)

GAIETTO, P., Aspects of material and spiritual culture in Archeo-Astronomical discoveries as appended to studies in Palethnology (International Meeting for Ligurian Studies, 2002)

GAIETTO, P., A short history of lower Paleolithic artistic discoveries and a hypothesis on the future of related research (Paleolithic Art Magazine, 2002)

GAIETTO, P.,Idolatry relating to Paleolithic and post-Paleolithic anthropomorphic colossal sculptures (Ibid.)

GAIETTO, P., Affinities between the two-headed Paleolithic Venus from Balzi Rossi (Liguria, Italy) and the neolithic two-headed Venus from Campo Ceresole (Lombardy, Italy) (Ibid.)

GAIETTO, P., The four-headed herms of Rome (Ibid.)

GAIETTO, P., A human portrait in stone from 200,000 years ago, described described with the didactics of the Arteology (Ibid.)

GAIETTO, P., The colossus of Whangape in New Zealand as attributed to the upper Paleolithic (Ibid.)

GAIETTO, P., An anthropomorphic double statuette from the upper Paleolithic (Paleolithic Art Magazine, 2007)

GAIETTO, P., Defining lower and middle Paleolithic art studies (Paleolithic Art Magazine, 2009)

GAIETTO, P., Erotic Art? ("100,000 years of Beauty"), Gallimard, Paris (2009)

GAIETTO, P., Phylogenesis of Beauty, Italian edition 2008; English edition, 2009. www.Lulu.com

GAIETTO, P., Intelligent cells and their inventions, Italian edition 2011; English edition, 2011. www.Lulu.com

GAIETTO, P., Erotism and Religion, Italian edition 2011; English edition 2011. www.Lulu.com

GAIETTO, P., Anthropomorphic Paleolithic Sculpture, Italian edition 2012. www.Lulu.com

GAIETTO, P., Catalogo della scultura paleolitica europea-Collezione Gaietto (English edition: Catalog of European Paleolithic Sculpture. The Gaietto Collection), ed. 2012. www.Lulu.com

GAIETTO, P., Gli animali sacri nella scultura del Paleolitico Loro evoluzione nelle religioni protostoriche e storiche (English edition: Sacred animals in Paleolithic sculpture) ed. 2013 www.Lulu.com

GAIETTO, P., Iconografia delle religioni occidentali dal Paleolitico ai nostri giorni (English edition: An iconography of western religions) ed.2017 www.Lulu.com

GAIETTO, P., Concettuario degli Stili (English edition: A Conceptuary of Styles-Excursions into Art) ed.2017 and 2020 www.Lulu.com

GAIETTO, P., Origin of Man 2019 (Italian edition: Homorigine) ed.2019 www.Lulu.com

GRAZIOSI , P., Le civiltà preistoriche ( in Razze e popoli della terra, di Biasutti, R.), UTET, Torino, 1959

HARROY, E., Actes du Xe Congrès de la Fédération archéologique à Tournay, 1895

HARROY, E., Cailloux et Totems, Revue Scientifique, Paris, 1901

HARROY, E., L'art préhistorique, Revue Scientifique, Paris, 1902, 1903

HELENA, PH., L'art figurée du Paléolitique ancien dans la region narbonnaise, Festschrift "A. Pedro Bosch-Gimpera, en le septuagesimo aniversario de su nacimento", Mexico 1963, pp 189 - 192

JELINEK, J., La grande enciclopedia illustrata dell'uomo preistorico, Artia, Praga, 1975

JURITZKY, A., Prehistoric Man as an Artist, Amsterdam, 1953, Nederlandsch Museum voor Anthropologie

KLEIN,R.G., (1989), Il cammino dell'uomo, antropologia culturale e biologica, Zanichelli, Bologna, 1995

KUHN, H., Eiszeitkunst. Die Geschichte ihrer Erforschung. Gottingen, 1965, pp 269 - 279

LEAKEY, M.D., Olduvai Gorge: excavations in beds I & II, Cambridge University Press,1960, 1963

LOMMEL, A., Les masques, Braun, Mulhouse, 1970

MARSHACK A. (1969), Polesini. A reexamination of the engraved Upper Paleolithic mobiliary materials of Italy by a new methodology, Rivista di Scienze Preistoriche, XXIV, 2:219-281.

MARSHACK, A., On the "geological" explanation of the Berekhat Ram Figurine, Current Anthropology, 36. 3. 495 (1995)

MARSHACK, A., The Berekhat Ram Figurine: a late Acheulean carving from the Middle East, Antiquity 71, pp 327 - 367 (1997)

MATTHES, W., First representative art in Europe. Zeitschrift fur Religions-und Geistesgeschichte 15, 1963, pp 164-179

MATTHES, W., La réprésentation de l'homme et de l'animal dans la plastique du Paléolithique le plus ancien. Ein Beitrag zur Frage nach dem Alter der Kunst aufgrund neuer Funde aus Norddeutschland., Symbolon 4, 1964, pp 244 - 276

MATTHES, W., La découverte de l'art du Paléolithique plus ancien et moyen au nord de l'Allemagne, IPEK, Jahrbuch fur prahistorische u. ethnographische Kunst 21, 1964/1965, pp 1 - 18

MATTHES, W., Die entdeckung der Kunst des alteren und mittleren palaeolithikums in Norddeutschland., 1964 - 1965. IPEK Berlin

MATTHES, W., Human and animal representation in middle Pleistocene in North-Germany. Atti del VI Congresso Internazionale delle Scienze Preistoriche e Protostoriche III, Roma 1966, pp 345 - 351

MATTHES, W., On the comprension of ancient glace age, Antaios, 1967, Ernst Klett Verlag, Stuttgart

MATTHES, W., Eiszeitkunst in nordseeraum, Hamburg, 1969

MATTHES, W., Das alter der "Formsteine" vom schonfichtener waldkobel, Primeval sculpture, May August, 1984, E.R.G.A., Genova

MENGHIN, O., "Acta Praehistorica", 5/7 (1961 - 1963), Buenos Aires, p 310

MORRIS, D., The Human Animal, Crown Publishing, New York, 1994 (pp 186 - 188 Golan Venus)

NAY-SCHEIBLER, E.,Geschichter der Steinzeit,1981, Belser-Verlag,Stuttgart

NAY-SCHEIBLER, E.,The Message of the Menhirs, Primeval sculpture, vol.I, n.2, 1984, E.R.G.A., Genova

NEUMANN-GUNDRUM, E., Europas Kultur der Gross-Skulpturen Urbilder/Urwissen einer europaeischen Geistesstruktur, 1981

NEWTON, W.M., On Palaeolithic Figures of Flint found in the old River alluvia of England ad France and called Figure Stones, The Journal of the British Archaeological association. March 1913, pp 3 - 44 U. Taf 1 - 8

NOUGIER,L.R.,(1976), L'avventura umana della Preistoria, Editori Riuniti, Roma, 1976

OAKLEY, K.P., Emergence of higher through 3.0 - 0.2 Ma,B.P Phil. Trans. R. Soc. Lond. B. 292, pp 205 - 211 (1981)

OREN-INBAR, N., A figurine from the Acheulean site of Berekhat Ram. Mi'tekufat Ha'even. 19. pp 7 - 12 (1986)

PANINI, GIORGIO P.,(1977), Le origini dell'Uomo, Mondadori, Milano

PELCIN, A., A geological explanation of the Berekhat Ram figurine, Current Anthropology. 36. pp 674 - 675

PETTAZZONI, R., L'onniscienza di Dio, Einaudi, Torino, 1955

PLINIO IL VECCHIO, Storia delle Arti antiche, Naturalis historia (libri XXXIV-XXXVI)

RADMILLI, A.M. (1974), Gli scavi nella Grotta Polesini a Ponte Lucano di Tivoli e la più antica arte nel Lazio. Sansoni, Firenze.

RADMILLI, A.M., Guida della Preistoria italiana, Firenze, Sansoni, 1975

RICHTER, J., Commenti ad alcuni articoli di Paleolithic Art Magazine, 2009 Paleolithic Art Magazine

RIEGIER, H., Die schonfichten der steinzeitlichen tiergestalten, Primeval sculpture, May August, 1984, E.R.G.A., Genova

ROGERS, T., Prehistoric art: a note on the Slines Oaks' finds, Local History Records Vol. XXI, 1982, Bourne Society of Surrey, 1982

ROMER, J. E., (1995), Sulle tracce delle sette meraviglie del mondo, Newton & Compton, Roma, 1998

RUST, A., STEFFENS, G., Die Artefakta der Altonaer Stufe von Wittenbergen. Fine mittelpleistozane Gruppe der Heidelbergen Kulturen, Neumunster 1962, pp 14 - 24

TAGLIETTI, S., Il Canto nella Notte dei tempi Paleolithic Art Magazine, 2019

THIEULLEN, A., Les Pierre Figures à rétouches intentionelles, Actes du Congrès International d'Anthropologie et Archéologie Préhistoriques, Paris, 1900

THIEULLEN, A., Hommage à Boucher de Perthes, Paris 1904

THIEULLEN, A., Les préjugés et les faits en industrie préhistorique, Paris 1906

THIEULLEN, A., Le criterium. Presentation et controverses, Paris 1907

VAN RIET LOWE, C., The possible Dawn of Art in South-Africa, South African Journal of Science 42, 1946, pp 247 - 252

WIKIPEDIA, Sculture litiche del Romandato, 2019

WIKIPEDIA, Rodi Garganico, 2020

WILSON, R.J., Cultural cobbles or a load of old cobblers? The detection of iconography and identification of artefactuality in lithics Academia, 2011

Genoa, 2020 (last updating)

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